Σημειώσεις για Winfield

[←1]

Δημοσιεύτηκε στο Dumbarton Oaks Papers, τομ. 68 (2014), σελ. 1-5 (6 σελίδες μαζί με τη φωτογραφία στην αρχή του άρθρου)

[←2]

D. Winfield, “Four Historical Compositions from the Medieval Kingdom of Serbia”, Byzantinoslavica 19, αριθ. 2 (1958), 251-78.

[←3]

[←4]

D. Talbot Rice, επιμ., The Church of Aghia Sophia at Trebizond (Εδιμβούργο, 1968).

[←5]

D. Winfield, “Some Early Medieval Figure Sculpture from North East Turkey”, JWarb 31 (1968) 33-71.

[←6]

M. Gough, “The Monastery of Eski Gümüş. A Preliminary Report”, AnatSt 14 (1964): 147-61 και του ιδίου, ” The Monastery of Eski Gümüş. Second Preliminary Report”, AnatSt 15 (1965): 157-64.

[←7]

D. Winfield, “Middle and Later Byzantine Wall Painting Methods”, DOP 22 (1968) 61-139.

[←8]

D. Winfield and J. Winfield, Proportion and Structure of the Human Figure in Byzantine Wall-painting and Mosaic, BAR International Series 154 (Οξφόρδη, 1981).

[←9]

D. Winfield and J. Winfield, The Church of the Panagia tou Arakos at Lagoudhera, Cyprus: The Paintings and their Painterly Significance, DOS 37 (Ουάσιγκτον, ΠΚ, 2003).

[←10]

Σημ. του μετ.: Cenino Cennini, Il libro dell’arte (1437).

[←11]

A.W. Carr and A. Nikolaides, eds. Assinou across Time; Studies in the Architecture and Murals of the Panagia Phorbiotissa, Cyprus. DOS 43 (Ουάσιγκτον, ΠΚ, 2011), 9.

[←12]

G. Constable, “Dumbarton Oaks and Byzantine Field Work”, DOP 37 (1983): 172.

[←13]

Που συντάχθηκε από τις Hermione Sandwich και Sheila Stainton.

[←14]

S. Staniforth, B. Hayes, and L. Bullock, “Appropriate Technologies for Relative Humidity Control for Museum Collections Housed in Historic Buildings”, στο Preventive Conservation: Practice, Theory and Research. Preprints of the Contributions to the Ottawa Congress, 12-16 September 1994 (Λονδίνο, 1994), 123-28.